WORK

wearless


This publication explores the modern impact of fast fashion and its expressions. It not only defines fast fashion but also highlights its challenges while showcasing how designers worldwide are responding to this phenomenon. wearless engages a global audience by replicating fast fashion’s aesthetics and presenting it in a dynamic, thought-provoking way through a mix of colors and media.
 Type: Editoral Design
Tools: InDesign, Photoshop,
Illustrator, After Effects



Chapter - As someone who loves fashion, I’ve also grown more aware of what happens after clothes are made, sold, and eventually thrown away. That tension led to this project.

“wearless” means to wear less—an invitation to think about sustainability in fashion. The design uses long, continuous rectangular elements to reflect how fast fashion moves quickly but never truly ends. These elements repeat throughout the layout to build rhythm and show connection.

I used bold neon colors to reflect the flashy appeal of fashion, while also hinting at how it drives overconsumption.

The book explores what fast fashion is, how it affects our world, and how designers are responding to it. It’s not about blame—it’s about asking better questions.
Chapter 
Section Divider 
Designer’s with fast fashion


Motion Posters - Showcasing the impact of fast fashion, using elements to bridge the book and posters.
Spatial Design - This installation expands on the editorial by bringing key graphic elements—long rectangular shapes and section divider phrases—into a physical space.
Phrases like “What is fast fashion?”, care label icons, and fashion imagery were projected using bold colors and repetition to reflect the overwhelming and cyclical nature of fast fashion.

The target space was set as the Fashion and Textile Museum in London.
Rather than letting this topic stay on the page, I wanted to highlight it as one of today’s major global issues—something that needs to be seen, felt, and experienced more directly.

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©MINSIK NAM